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What happens if you try to apply an exposure correction to the image without using masks Well, go ahead and try it. Click the Create New Fill or Adjustment Layer icon at the bottom of the Layers palette, and select the Levels option. This adds a Levels adjustment layer above the Background layer. Looking at the histogram in the Levels dialog box this time, you can again see that rather gaping hole in the highlights, so click and drag the white Input Levels slider in from the right so that it touches the right-hand side of the histogram data. This produces a nice effect, with the whole image brightening considerably. However, the foreground is still noticeably dark. You can see in Figure 15.3 that if you continue to drag the white slider in to a point where the foreground is really starting to come to life, the sky starts to generate some rather nasty hues, and the clouds start to lose detail; in other words, you re blowing the highlights.

The best that Photoshop or any other piece of software can do is to convert from one target to the next For what it s worth, most consumer monitors (and video boards, for that matter) are beyond calibration, in the strict sense of the word You can try using a hardware calibrator (one of those devices where you plop a little suction cup onto your screen), but calibrators often have less to do with changing screen colors than identifying them Even if your monitor permits prepress-quality calibration as in the case of $3,000-plus devices sold by different vendors over the years, including Radius, Mitsubishi, and LaCie it s not enough to simply correct the colors onscreen; you also have to tell Photoshop what you ve done Therefore, color management is first and foremost about identifying your monitor.

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FIGURE 5.20 Creating a document. Choose a reasonably big canvas, but note that the Width, Height, and Resolution settings aren t critical.

(21.22)

You have to explain your screen s weaknesses to Photoshop so it can make every attempt to accommodate them In days gone by, Photoshop used the screen data to calculate CMYK conversions and that was it These days,.

In the former case, systems of linear equations have to be solved. How to do this,

Any Photoshop professional out there will tell you that getting skin tones correct is a key goal in any makeover. Repair makeovers are no exception, so it wouldn t hurt to

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You may have noticed that when you open the Gradient Editor dialog box, Photoshop automatically selects the Eyedropper tool for you and displays that tool s controls in the Options bar. Why did it do that Because you can click with the Eyedropper in an open image window to lift a color from the image and assign that color to the selected color stop. You also can sample a color from anywhere onscreen by first clicking with the Eyedropper in an image window and then dragging outside it.

There s one more wrinkle to throw at you before moving on. In the previous examples, you probably noticed a pop-up menu next to Resample Image in the Image Size dialog box, as shown in Figure 12.5.

Figure 8.40: The MSE of the BPSK RBF equalizer centres versus transmitted symbol index using the scalar centre clustering algorithm of Section 8.10 with centres initialised to the corresponding noisy channel states, as described by Equation 8.96 over the two-path channel environment of Figure 8.21(a). The MSE of the BPSK RBF equalizer centres learnt using the scalar centre clustering algorithm with centres initially set to SNR = 0 for 40dB is shownfor comparison. The equalizer had = 5 feedforward taps anda decision m delay of T = 2 symbols. The learning rate pv was set to 0.1 and the number of training

FIGURE 14.27 There are seven filters in the Pixelate menu that can give your video an interesting look. Crystallize Facet Fragment

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